The Expressionist Art Movement by Kirsty Semple

Expressionism was an artistic style which grew like a rose out of the soil of the late 19th early 20th century society. Originating in Germany and Austria and following the anti-authority thinking of people such as Freud, Nietzsche and Dostoyevsky, the expressionist movement focused on the expression of inner experience and emotion. It was less concerned with the reality of what a subject looked like and expressed the artist’s emotional reaction to it.

Expressionist paintings can often be characterised by distorted forms drawn in bold colours and two dimensions, without perspective. But always sought to depict intense emotion and was always strongly subjective. Often the images were full of angst such as Edvard Munch’s The Scream, or the latter paintings of Vincent and Gough such as The Starry Night.

Around the time of World War II the expressionist art movement had migrated to the shores of America. Indeed, it was the artists of this time which established New York as a place of importance in the art world. It has been said that expressionism was a precursor to surrealism and influenced artists such as Dali.

A huge part of the movement in America became abstract expressionism, characterized by dripping paint onto the canvas. One of the most famous of the abstract expressionist painters of this period was Jackson Pollock.

Interestingly the artists pioneering this movement never described themselves as expressionists, it was a label given to them, and as an artistic style is still very much alive today within the work of many contemporary painters.

I myself use this style because I draw musicians. Music itself is an embodiment of the inner emotional experience and with my art I seek to express this subjective image. Expression of emotion through music is something I try to capture in drawings and I can think of no better artistic style with which to achieve this than the expressionist one which provides me with all the tools I need to depict the exquisite passion, soulful blues and poignant heartache expressed by the true musician.

About the Author: To view my art visit me here: http://www.squidoo.com/moonshine-art

Interactive Art Installation for Art Exhibition Promotion by Antonia Marino

There are so many art exhibitions around that it is essential to make your exhibition stand out from the crowd. One way to achieve this is by having a drawcard to attract visitors. An interesting and successful idea is to create an interactive art installation at the venue to entice visitors into the exhibition and to engage them with participation.

An interactive art installation is usually a large sculptural piece specifically created for the event which the audience can use, play with, interact with, influence, solve and/or manipulate in some way. Their participation allows them to experience a result of some kind. This adds an additional dimension to their exhibition experience and is particularly successful if your installation is unique, fun, challenging or enlightening in some way.

When designing your art installation consider the overall theme of your exhibition, your intended target market, and the available facilities at the exhibition venue.

Exhibition Theme

It is important to make your art installation and art exhibition theme cohesive. If your audience cannot see a logical connection between them your drawcard may not be as successful. Therefore give plenty of consideration to this aspect of your idea. For example, if your exhibition theme is ‘Urban Landscape”, choose an industrial type installation using inorganic materials, hard shapes and modern fittings.

Other questions to ask yourself when designing your art installation are the possible results of audience participation. Do you want them to have a unique experience, or a pre-determined answer? Are you trying to make a statement, tell a message relating to your theme, or do you want your audience to come up with their own conclusions? These questions will help you to refine your idea and create a installation that best suits your exhibition.

Target Market

Tailor-make your art installation to your target market for maximum success. This is important in all areas of business marketing and your art exhibition should be no exception. A target market is usually defined as demographics such as age, gender, geography and socio-economic group.

If your audience is predominantly young middle class college students, your installation should be young, fresh, innovative and modern. On the other hand, if your target market is mainly elderly, upper class art investors you would approach both the exhibition and your art installation in a totally different way. Ask the venue what their customer demographics are in order to give yourself the best start.

Exhibition Venue

When creating your art installation it is very important to consider the venue in every aspect of the design. Visit the exhibition space and plan out the shape and size of the area available to you. Take lots of photographs, capturing every angle. Use a long retractable tape measure to take measurements of the room, noting the dimensions of the walls, including ceiling to floor height. Measure and record the size and locations of all doorways, windows, pillars, permanent light fixtures and electrical sockets. Take particular note of the main entrance way and how the audience will move around the installation.

Finally, ask the venue what resources they have on site, such as ladders, plinths, partitions and portable lighting. These will come in handy for your installation, and may cut down construction or display costs. Whether you are using props and equipment belong to the venue, supplying your own, or hiring them, ensure they are safe to use. This is particularly important if using electrical appliances such as portable lighting. Your audience safety and well-being is paramount.

An interactive art installation can become a value asset to your next art exhibition by making it stand out from the crowd. With just a few important design considerations you can maximise its promotional potential and make your exhibition a huge success.

Tips for maintaining good Oil Painting habits by Kevin Russel

Following are the tips for you to maintain good oil painting habits:

Tips for saving color:

• Clean away any mixtures near heaps of colors you are setting up to keep.

• Keep a habit to put colors in same place on palette - used up areas must be worn out & wiped for new oil paint for next painting session.

• For disposable palettes scoop off mounds of paint you desire to maintain with your knife and move them to a fresh sheet; if a skin shapes, stab and take away the skin and work with the new color under.

• If you are not regular on painting for a week - cover palette with plastic cover & place in freezer.

• When you desire to clean your palette clean off central mixing area of wooden/acrylic palette, when you are done with your oil painting,

• For caring for tube keep tubes clean, wipe necks & caps.

Caring for your brushes:

• Wipe to take away surplus paint on rags, newspaper, etc.

• Rinse in container of solvent not advisable to soak. • Clean your oil painting brush with rags, newspaper to immerse up solvent

• You can also use mild soap (shampoo or dawn), put dab in palm of your hand, foam brush in palm moving in circle to work foam into bristles.

• Lather & wash it in lukewarm water until soap suds are snow white, & rinse with clear water; bristles might discolor.

• Press bristles into tidy, solid shape while moist.

• Let it dry and store in jar bristle-end up.

Safety precautions:

• Read labels on oil paints and mediums - some are gently toxic (cadmium colors), so you need to careful with it.

• Avoid consumption of food or smoking while you paint

• Wash hands carefully after oil painting reproduction session; try using lotion to hands before hand, paints would wash off easier

• Some solvents don't create deadly fumes, any how, must be used in well air room - open a window

• Some solvents are combustible also and toxic (gasoline, kerosene) - stick to turpentine and petroleum stuff made for artist's use.

About the Author:

Kevin Russel is a Copywriter of Artist oil painting. He written many articles in various topics. For more information visit: Famous art painting contact him at admin.1artclub@gmail.com